Created in 1901 to print exam booklets and program calendars, the University of Toronto Press (UTP) – one century and thousands of books later – is now the second-largest public university press in North America, publishing everything from the history of the National Ballet of Canada to a treatise on quilts.
Although crucial for providing a young country with a sense of national identity, UTP did have its challenges along the way. Former managing editor Francess Halpenny (BA 1940 UC, MA 1941, LLD Hon. 1994) remembers “the incredible saga” of Tom McIlwraith’s Bella Coola Indians, researched in the 1920s. The National Museum of Canada feared McIlwraiths shocking description of aboriginal customs “might set back the cause of anthropology,” she recalls. One suggestion was to print sections of the book in Latin. Seemingly cursed, the project was shelved because of the Depression and had to be halted once more due to a paper shortage during the Second World War.
It was finally published, in English, in 1948. Robert Dawson’s Government of Canada (1947) was only the second book to offer a comprehensive political analysis of the country. Dawson (BA 1949 Trinity, MA 1950) couldn’t refer to existing research because there hardly was any. Then there was Harold Innis, working on his final book in 1952. The great communications theorist was dying of cancer and had to relay his revisions to Halpenny using his son as messenger. And this is how Changing Concepts of Time was finished just in time.
A U of T lab is working with actors, writers and directors on how they could harness AI and other emerging technologies to generate new ideas and – just maybe – reinvent theatre