When Four Years Culminates in a Single Stage Show | U of T Magazine - University of Toronto Magazine
University of Toronto Magazine University of Toronto Magazine
Vandana Maharaj onstage in costume, wearing a white frilly dress and a headpiece that looks like a sandpiper's head
Vandana Maharaj. Photo by Nick Iwanyshyn

A Winged Revival

U of T Mississauga drama students take on central roles in their final-year performance Read More

“Seven minutes to Lenny!”

The backstage call from Stage Manager Paul Pembleton sets off a flurry of activity in the dressing rooms. Costumes are fitted, makeup is applied and actors run through their cues. For the graduating class of U of T Mississauga’s theatre and drama studies program, this moment marks the culmination of years of study. Soon, the last preshow song – Lenny Kravitz’s Fly Away – fades out and it’s showtime. The actors step into the world of The Birds, a reimagining of Greek playwright Aristophanes’ 2,400-year-old comedy.

This contemporary adaptation, written by Yvette Nolan and directed by Marcel Stewart, moves the action from ancient Athens to Turtle Island, weaving together Indigenous creation stories and natural imagery to explore themes of colonialism and reconciliation. Two humans seek nirvana in a mountaintop bird society – only to impose their own ideas upon it.

Most Popular

Jasmine Brough in costume, wearing a headpiece constructed like a raven's head
Jasmine Brough plays The Raven, showcasing her acting skills and mimicking the bird’s movements. To prepare for their roles, the students ventured into the forest near campus to study the look and sound of birds in their natural habitat. All photos by Nick Iwanyshyn
Michelle Vanderheyden, sitting at a table covered with art supplies, working on a headpiece with green fabric, feathers and a yellow beak
Michelle Vanderheyden, the production’s costume designer and head of wardrobe, constructs a headpiece for Ciara Julia Hall’s Nightingale character. Vanderheyden opted for headpieces with 3D-printed beaks over masks to allow the actors greater expression.
Close-up of a coloured sketch of the Sandpiper character with feathered wings and skirt and a headpiece like a sandpiper's head
Director Marcel Stewart suggested an “improvised look” for the bird costumes. This concept drawing for Sandpiper shows how costume designer Michelle Vanderheyden incorporated fabric, sticks, shells and leaves – as if the birds had crafted their outfits from found objects.
Clarc Manglicmot applying lipstick in front of a well-lit mirror
Clarc Manglicmot, who takes on multiple roles in the show as The Crow, Poet, Priest, Surveyor and Vulture, does his own makeup prior to the performance. As part of the program, students learn all aspects of the theatre and work on two shows per year.
Vandana Maharaj onstage in costume, wearing a white frilly dress and a headpiece that looks like a sandpiper's head
Actor Vandana Maharaj strikes a pose as Sandpiper. Sarah Scroggie, the production’s set designer and head carpenter, aimed for a surreal, almost game-like atmosphere on stage. The set was built sustainably, using natural materials wherever possible – and will be dismantled and repurposed after the production.
Olivia Sgambelluri onstage, shouting and turning, while swirling her translucent cape, containing green and red LED lights
Wearing a hat made of leather and organza, Olivia Sgambelluri swirls her LED light-up cape as she performs in the role of Traditional Dancer.

Bringing this vision to life demands more than performance skills. In first and second year, students cycle through backstage and front-of-house roles, learning the fundamentals of stage management, set construction, costume design, lighting and sound. In third year, they transition to performance, acting in a “devised project,” which they write themselves, and a “classical project” (sometimes Shakespeare). Fourth-year, students take centre stage, working with professional directors to mount four plays, and assuming at least one featured role.

Attending rehearsals around classes is no small feat. “It is a challenge” says Mike Slater, manager, theatre operations, noting that rehearsals run Monday to Thursday evenings and all day Saturday. But for students, the balancing act is part of the learning process. By the time they hit the stage, they’re not just actors. They’re theatre artists, ready to take flight.

Most Popular

Leave a Reply

Your email address will not be published. Required fields are marked *